Posted on in 2021, 2022, Americans in Belgium, Belgium
On a routine visit to the archive in February 2022, I stumbled upon a letter signed by one of the most famous Belgian artists of the late 19th century, James Ensor. I was at the Archive et Musée de la Littérature in Brussels, looking at documents on performance groups in Belgium’s former colony of the Belgian Congo (current-day Democratic Republic of the Congo). It was while sifting through the letters of James Thiriar, a Belgian painter and sometimes–theater producer working in the Congo, that I encountered Ensor’s large, scrawled signature at the bottom of a short note from 1937. I was shocked to see, in the space of a few lines, Ensor alerting Thiriar to a new article he had written on “African masks.” I double-checked that I was not mixing up the sender and recipient. If there was one thing about Ensor that I had learned at the myriad Belgian art museums displaying his art to this day, it […]